(01) Service
Location sound
The best performance is recorded on set, not in a booth. Our own broadcast-grade gear.
We know every actor performs better on set than in a dubbing booth, and that ADR adds cost. In a documentary, events and comments happen only once.
That is why we work with our own top-of-the-line, broadcast-grade equipment and a diverse crew with deep experience in film and TV. We build the sound crew around the needs of each shoot.
How we work on set
Before the shoot we scout locations for sound: background noise, reverb, problem hours. That defines how many microphones and wireless systems we need, and the crew. On set we work with a sound mixer, a boom operator and, if the project needs it, a second boom or a utility.
Recorded with post in mind
Because we also do the post-production, we record with dialogue editing and the mix in mind: isolated tracks per character, room tone for every location, wild tracks and tidy sound reports. All of that saves hours of ADR and editing later.
International productions
We provide location sound for foreign productions shooting in Argentina, with workflows, metadata and deliveries that fit post-production teams anywhere in the world.
Frequently asked questions
- What does the location sound service include?
- A sound mixer and boom operator with our own gear: multitrack recorder, boom microphones, wireless systems, monitoring and accessories. At the end of each shooting day we deliver the files with their sound report.
- Do you work outside Buenos Aires?
- Yes. We work all over Argentina and travel with our gear as the shoot requires.
- How do you quote a shoot?
- Per shooting day, based on the size of the sound crew, the equipment and the complexity. Send us the shooting schedule and we will put together a quote.
- Do you record sound for commercials and documentaries?
- Yes. We have experience in film, series, commercials, music videos and documentaries, where things happen once and there is no second take.
Work with location sound
