(02) Service
Sound post-production
The most delicate and creative stage of the audio chain.
The most delicate and creative stage of the audio chain. Over 15 years of experience in post-production for television and advertising, and in cinematic sound design.
Sound design, recording and editing of ambiences, creation and editing of effects, backed by an original and commercial sound library of more than 10,000 hours of the most diverse material.
From picture lock to the mix
Sound post starts at picture lock: we organize and edit dialogue, build ambiences, design effects, record Foley and ADR when needed, and reach the mix with every track ready. Each stage is reviewed with the director.
Sound design
Sound design is the most authorial part: building the sonic world of the film, the moods and the moments the picture alone cannot tell. We work with our own recordings, field recording and an original and commercial library of more than 10,000 hours.
Restoration
When production sound comes with problems (noise, wind, clothing rustle, reverb), we restore it with iZotope RX before deciding whether ADR is needed.
Frequently asked questions
- What stages does sound post-production include?
- Dialogue editing, ambiences, effects and sound design, Foley, ADR or dubbing when needed, music editing, premix, final mix and deliverables.
- How long does sound post-production take for a feature film?
- It depends on the material and the complexity of the design. As a reference, a feature usually takes several weeks of editing and mixing. We define it once we see the cut.
- Do you work with material recorded by another sound crew?
- Yes. We take material from any shoot (AAF/OMF and original files) and work on it starting from dialogue editing.
- Do you do sound post-production for advertising?
- Yes. We do spots, social media pieces and campaigns, with mixes and versions tailored to each medium.
Work with sound post-production
